The history of art movements concerns tendencies or styles in art with a specific philosophy or goal, followed by groups of artists during a specific period; these movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement.
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Western art from the Renaissance up to the middle of the 19th century relied on perspective, a way of showing visible reality as an illusion. By the end of the 19th century, many artists felt a need for abstract art, a new style encompassing fundamental changes in technology, science and philosophy. During modern art, each consecutive movement was often considered a new avant-garde, with each movement seen as a somewhat grandiose rethinking of all that came before it in the visual arts.
Vito Acconci pursued strangers in 1969 New York for "Following Piece," while Teresa Murak roamed 1974 Warsaw in a smock sprouting cress seeds. In performative art, art made through actions, walking can be both a loss of control and a seizing of public space.
The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts.
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