In the 1970s, Polaroid cameras used self-developing film to make a chemically developed print soon after a picture was taken, building on the company's pioneering consumer-friendly cameras and film. What can instant photography help us understand about how people see? The lessons consider how it changed seeing through photography's uses and creative possibilities.
3 articles, 1 book · about 25 min of reading and viewing
Edwin Land's instant camera, introduced in 1948, brought a footloose and fancy-free spirit to photography by jamming an entire darkroom into the camera itself. Early Polaroid models partially developed film internally by bursting pods of chemical goo.
Polaroid provided cameras and film to artists, photographers and celebrities, including Ansel Adams, Walker Evans and Walter Cronkite. At lunch, photographer Richard Avedon snapped pictures with the SX-70, and blank squares emerged from the camera.
Artists used three main techniques to modify or distort Polaroid images: SX-70 manipulation, emulsion lift, and image transfer. With SX-70 Time Zero film, photographers could draw on or distort an image by applying pressure while it developed.
Instant by Christopher Bonanos describes Polaroid's rise in popularity and adoption by artists such as Ansel Adams, Andy Warhol, and Chuck Close, then its decline into bankruptcy in the late '90s and resurrection in the digital age.
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